For the rest of his American adventures TM + organizes a double meeting between performers and composers above the Atlantic swells. Two orchestral ensembles, three American composers and a French one by adoption: so many cultures and aesthetics between which reciprocal listening will circulate.

From Alexandra Gardner, Brightwork newmusic interprets Migrations , an energetic and fluid piece that advances with its wings between clouds of percussion, on the large scale of animal migrations as on the microscopic drifts of molecular movements.

Brightwork newmusic and TM + clash on Psycho by Alexandros Markeas, night wandering in New York for two septets and a multimedia device, sometimes convulsing back and forth of textures, images, references.

Shards , Hugh Levick’s play created by TM + is a game of multiple reflections on the meaning of history and the catastrophe between Angelus Novus – a watercolor by Paul Klee – the comment made by Walter Benjamin, and their musical interpretation today.

Steve Reich is undoubtedly the most American of all, promoter of so-called repetitive music, a symbol on this side of the Atlantic of music that has escaped Europe. His Double Sextet brings the two together in a familiar chase.